1518-1594 Italian painter. His father was a silk dyer (tintore); hence the nickname Tintoretto ("Little Dyer"). His early influences include Michelangelo and Titian. In Christ and the Adulteress (c. 1545) figures are set in vast spaces in fanciful perspectives, in distinctly Mannerist style. In 1548 he became the centre of attention of artists and literary men in Venice with his St. Mark Freeing the Slave, so rich in structural elements of post-Michelangelo Roman art that it is surprising to learn that he had never visited Rome. By 1555 he was a famous and sought-after painter, with a style marked by quickness of execution, great vivacity of colour, a predilection for variegated perspective, and a dynamic conception of space. In his most important undertaking, the decoration of Venice's Scuola Grande di San Rocco (1564 ?C 88), he exhibited his passionate style and profound religious faith. His technique and vision were wholly personal and constantly evolving.   Related Paintings of Jacopo Tintoretto :. | Last Supper | Portrait of a Venetian Procurator | The Worship of the Golden Calf | The Origin of the Milky Way | Doge of Venice Gerolamo Priuli |
Related Artists:
Ramon Casas i Carbo
1866-1932,was a Catalan artist. Living through a turbulent time in the history of his native Barcelona, he was known as a portraitist, sketching and painting the intellectual, economic, and political elite of Barcelona, Paris, Madrid, and beyond; he was also known for his paintings of crowd scenes ranging from the audience at a bullfight to the assembly for an execution to rioters in the Barcelona streets.
Jacques de letin
1597 - 1661
AVERCAMP, Hendrick
Dutch Baroque Era Painter, 1585-1634 1634). He was the first artist in the northern Netherlands to paint winter landscapes. Before him only a few Flemish artists, among them Pieter Bruegel I and his sons, and Jacob Grimmer, had made winter scenery the main subject of their work. Avercamp created a new genre of Dutch painting by combining the panoramic scope, bright colours and high vantage point of these Flemish models with an emphasis on anecdotal detail.